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Mia Makela (a.k.a SOLU) is finnish media+live cinema artist,
teacher, investigator and cultural activist residing in Barcelona.
Her trajectory has led her from shamanistic studies to art. From
art to media art and design. From media art to organization of events
and workshops on contemporary digital culture. As part of fiftyfifty.org
collective (until 2002), she organized Hacker Techniques workshop,
Gameboy soundlab, Playtime event amongst ther activities.
She has given lectures on various themes including robots, audiovisual
culture, tactical sound and her own artistic work. She has written
articles on different subjects, including Vjing and Micromusic (Repellent
Magazine). Her discussion with Vanni Brusadin was published in “Anarchitexts-Essays
in Global Digital Resistance” (2002).
In 2004 she launched dorkbot.org in Barcelona presenting people
who do strange things with electricity every other month in the
local gallery Metronom. Her latest ocupation is PUBLIC.BCN which
concentrates all her audiovisual activities under the same label
(workshops, events, AVcommunity, site-spesific projects, ideas....)
She started performing visuals as part of audiovisual improvisational
band called DADATA in 2001 and after the dissolution of the group
she continued as SOLU. She has collaborated with many experimental
musicians including Heidi Mortenson and Dj Rupture. With Mortenson
she opened Transmediale festival in Berlin 2004 and performed at
Zagreb Biennale of Music, Cimatics-festival in Brussels and Museum
of Contemporary Art in Helsinki (2003). She has also performed at
various other festivals including SONIC ACTS in Amsterdam, SONAR
festival in Barcelona, AVIT in Birmingham, MAPPING in Geneve and
TRANSIT_MX in Mexico City.
Her experimental music videos have been widely exhibited in festivals
around the world: Xfest, Impact, Sonar, etc. Her style ranges from
minimal abstractions and strongly processed material to multilayered
ambiental landscapes. She processes her visual material with MAX/MSP/JITTER
and other programmes like Isadora.
In 2006 she published her thesis on LIVE CINEMA language and elements,
(Medialaboratory, Helsinki) which gathers her experience on realtime
visuals. Her latest workshop titled ”Audiovisual Realtime
Creation” took place in Spain, Germany, Belgium, Finland and
Mexico. |